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Saved by uncleflo on May 31st, 2013.
In 2012, the Sony F65 grabbed attention with higher resolution than any previous digital motion picture camera. Plus extremely low noise, even in the blacks. Plus a wider color gamut than print film. Plus 16-bit linear RAW and 10-bit SR File recording. No wonder the F65 was quickly chosen for productions of every type. Now with Version 2.0, 2.2, and 3.0 refinements, the F65 does even more, including High Frame Rate RAW at up to 120p with no windowing. And 12-bit HD recording with 4:4:4 color.
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Saved by uncleflo on May 29th, 2013.
The F65 is built around the unique capabilities of Sony's 20 megapixel Super 35 image sensor. Even in March 2013, more than one year after the launch, this is the highest resolution of any digital motion picture camera. In this way, the camera stands alone in its ability to reproduce scene detail and texture. Exterior wide shots have a monumentality that calls to mind 65mm film. It's an advantage you can exploit no matter what your delivery format: true 4K, supersampled 2K or supersampled HD.
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