uncleflo

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Some cool dude. Higher order of decision making. Absolute.

Registered since September 28th, 2017

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Tag selected: renaissance.

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Charles de La Fosse — Wikipédia

https://fr.wikipedia.org/wiki/Charles_de_La_Fosse

Saved by uncleflo on May 12th, 2019.

Charles de La Fosse, né le 15 juin 1636 à Paris, où il est mort le 13 décembre 1716, est un peintre français. Il est considéré par les historiens de l'art comme l'un des peintres français les plus importants vers 1700, avec Antoine Coypel et Jean Jouvenet, assurant la transition entre les XVIIe et XVIIIe siècles.

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Palazzo Ducale | Doge's Palace | Venice

http://palazzoducale.visitmuve.it/en/home/

Saved by uncleflo on November 28th, 2018.

A masterpiece of Gothic architecture, the Doge’s Palace is an impressive structure composed of layers of building elements and ornamentation, from its 14th and 15th century original foundations to the significant Renaissance and opulent Mannerist adjunctions. The structure is made up of three large blocks, incorporating previous constructions. The wing towards the St. Mark’s Basin is the oldest, rebuilt from 1340 onwards. The wing towards St. Mark’s Square was built in its present form from 1424 onwards. The canal-side wing, housing the Doge’s apartments and many government offices, dates from the Renaissance and was built between 1483 and 1565.

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Pietà (marble sculpture)

https://www.khanacademy.org/humanities/renaissance-reformation/high-ren-florence-rome/michelangelo/v/michelangelo-piet-1498-1500

Saved by uncleflo on October 28th, 2018.

Michelangelo, Pietà, marble, 1498-1500 (Saint Peter's Basilica, Rome) Speakers: Dr. Beth Harris and Dr. Steven Zucker. The Pietà was a popular subject among northern european artists. It means Pity or Compassion, and represents Mary sorrowfully contemplating the dead body of her son which she holds on her lap. This sculpture was commissioned by a French Cardinal living in Rome. Look closely and see how Michelangelo made marble seem like flesh, and look at those complicated folds of drapery. It is important here to remember how sculpture is made. It was a messy, rather loud process (which is one of the reasons that Leonardo claimed that painting was superior to sculpture!). Just like painters often mixed their own paint, Michelangelo forged many of his own tools, and often participated in the quarrying of his marble -- a dangerous job. When we look at the extraordinary representation of the human body here we remember that Michelangelo, like Leonardo before him, had dissected cadavers to understand how the body worked. - Created by Beth Harris and Steven Zucker.

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